Harold Meltzer Appreciation Day

Tags

, , , , , , , , , , , , , , , , ,


MVHS AP US History/Mock Trial Team visit to Mount Vernon's City Hall with Harold Meltzer and Frank Pandolfo, March 18, 1986. (Frank Pandolfo).

MVHS AP US History/Mock Trial Team visit to Mount Vernon’s City Hall with Harold Meltzer and Frank Pandolfo, March 18, 1986. (Frank Pandolfo).

Today marks twenty eight years (both day and date — the ’13 calender and the ’85 calendar are in the same sequence) since the end of tenth grade for the Class of ’87. It’s also the day that fourteen of us met Harold Meltzer in “Room 275 of the Mount Vernon High School” for the first time. We were a grumpy bunch that third Friday in June, having gone through days of Regents exams and other tests from a rather underwhelming (though well-meaning) group of teachers. Again, it’s all in Boy @ The Window. But because I’ve had some experience teaching high school students, not to mention AP reader and ETS (Educational Testing Service, the exam developers) consulting experience, my appreciation for Meltzer has grown over the years.

In all, I’ve given up forty-five days of my life to scoring AP US and World History essays over the years, in the not-so-nice towns of Louisville, Kentucky, Fort Collins, Colorado, Salt Lake City (not to mention Princeton and from my own home). Scoring exams in a factory-esque setting is about as appealing as being an antibiotic-infused chicken at a Tyson’s egg-laying factory in Arkansas. Aside from the long hours of sitting around reading documents-based question essays, comparative essays, other essays and listening to long discussions of rubrics and accuracy in “meeting the standard” for scoring exams, it’s a blast. Especially with all of the coughing, sneezing and farting that can be heard throughout the week!

AP logo, The College Board, June 21, 2013. (http://www.stjacademy.org/).

AP logo, The College Board, June 21, 2013. (http://www.stjacademy.org/).

But the one thing I’ve learned is that many of America’s best and brightest students have significant reading, writing and analyzing issues, and not just because AP exam essay questions are written to be deliberately opaque. I’ve scored about 3,500 essays for the AP folks in all, and I can honestly say I’ve never read more than ten in any session that would’ve been A-level material in any of my college courses (or when I’ve taught high school students, for that matter). My last AP read, every one of the nearly 800 essays I read made my eyeballs ache and my teeth grind.

Most of these essays lack an introduction, a thesis statement, organization of ideas, examples that provide evidence of understanding or analysis, transition sentences between paragraphs and main ideas, and a conclusion. So many students don’t even try. They spend three hours drawing, journaling, writing short stories, poems and haikus, quoting rap lyrics and theme songs, or write in detail about their terrible AP US or World History teacher.

My pretend version of an introduction to a documents-based question essay for AP World History (in my best-worst handwriting), June 21, 2013. (Donald Earl Collins).

My pretend version of an introduction to a documents-based question essay for AP World History (in my best-worst handwriting), June 21, 2013. (Donald Earl Collins).

Aside from the almost indecipherable handwriting, that’s what has bothered me most in scoring these essays. That there are tens of thousands of unlucky students out their who by virtue of having a teacher unable to teach US or World History for advanced students. Or worse, teachers who don’t care to find out how best to teach these courses, to teach students how to write a proper introduction and thesis, to teach students how to bring in outside knowledge and intertwine it with documents or other materials within the actual exams. The inability of so many students to draw solid connections and to make a critical examination of the questions that these AP exams pose stems from both teacher neglect (benign and malignant), school districts hungry for ETS and College Board (the latter runs the AP program) dollars, and ETS and the College Board pushing these exams to more and more schools.

That reality makes me still appreciate all that I learned from Meltzer during the 1985-86 school year. Eccentric? Most def. Counterintuitive beyond what was necessary for AP US History? Without a doubt. Strange and somewhat meddlesome compared to our other teachers to be sure. But if any of us paid attention in his class even twenty percent of the time, we not only scored a 3 or better. We learned how to think beyond an answer, to ask “How?” and “Why?” for the first time. We learned how to read for an argument, and not just to read for understanding. We learned how to write a college essay (not just an AP essay) two full years before college.

And all of this learning began this day and date twenty-eight years ago. I can honestly say that I’ve had more than my share of life-changing teachers growing up. Meltzer, though, is at the top of my list, giving the time in which he was my teacher. May he rest in peace.

Humanities: 26 Years On

Tags

, , , , , , , , , ,


Leonardo di Vinci's Human Body sketch, June 18, 2013. (Wikipedia).

Leonardo di Vinci’s Vitruvian Man (human body sketch, 1485-90), June 18, 2013. (Flickr.com).

Today marks anniversary number twenty-six since the Class of ’87 spent two hours sweating in our polyester caps and gowns on a triple-H summer evening at Memorial Field in Mount Vernon, New York. Oh yeah – and graduated from Mount Vernon High School. Not a big year to mark an anniversary, for sure. But still important for me to remember. After all, I’ve just published a book in which I spend a significant amount of time talking about myself and my former classmates whom help comprise this Class of ’87.

Today I want to say a few positive things about this class, particularly the Humanities Program members of this class. Not that this isn’t in Boy @ The Window as well. But it does help me to reiterate both the obvious and the hidden. Without Humanities, I wouldn’t have taken the path that led me to become the writer, historian, thinker or man that I am today, good, bad and occasionally even ugly. Period.

Not that every high-achieving student in A.B. Davis Middle School or Mount Vernon High School was in Humanities. Some of the more creative and musically-talented folks I’d either met or knew of were in what what I call “gen pop” and not in Humanities. But being someone who on his best days can barely hold a baritone tune (in the same way that an experimental fusion reactor produces energy for only a few seconds), Humanities gave me a chance to do some of what I did best on a platform that could occasionally allow me to maximize my academic gifts.

After ten years of undergrad and grad school at the University of Pittsburgh and Carnegie Mellon, and years of teaching at places as different as Pitt, CMU, Duquesne University School of Education and George Washington University GSEHD, my former classmates remain among the highest academic achievers I’ve ever met. As a group, that is. I’ve met many super-talented and highly creative individuals since ’87. Some of whom were literal geniuses as musicians, actors, studio artists or writers. Students whose academic and athletic prowess would’ve made their peers think about how unfair life can be.

But the one boon (and one criticism too) of Humanities for me was the competition it inadvertently sanctioned. That competition made me a better student, one who could actually focus on the long-term implications for any course I took and how it would apply to what I’d need to do in college. Some of my classes I realized were bullshit (see Andy Butler’s eleventh grade “Higher Math” as prima facie evidence), but I found something useful in most of my courses for my years at Carnegie Mellon, if not at Pitt.

Mount Vernon High School graduation ceremony, June 24, 2009. (http//education.lohudblogs.com).

Mount Vernon High School graduation ceremony, June 24, 2009. (Carucha L. Meuse/The Journal News; http//education.lohudblogs.com).

I think that this competition made us all better students, even as it often didn’t make us better human beings. After all, out of my immediate circle of the top twenty students in the Class of ’87, three of us have doctorates (history, psychology and mathematics education), two have medical degrees, and seventeen of us have earned at least a bachelor’s degree. I’m sure that some of us would’ve done well in college, grad school and our careers even without Humanities. But I’m also sure that the poorest among us – yours truly included – would’ve struggled mightily in college (even if we found a way to graduate) without such a focus on the academic in the first place.

I’ve taught high school students whose skills readily approached my own and those of my classmates from a quarter-century ago, particularly in versions of the AP US History course I taught at Princeton in ’08 and ’09. I’ve also served on the curriculum committee at my son’s school here in Montgomery County, Maryland for the past three years. These students – some more talented than anyone I knew in Humanities – have one thing in common. For the most part, they aren’t challenged by their schools, teachers or curriculum to be competitive, to be well-rounded academically, to strive to be both better students and develop creative talent simultaneously.

Many of these students already feel a sense of academic fatigue, partly because of constant yet meaningless testing, and partly because of a concentration on STEM (Science, Technology, Engineering and Mathematics) fields. Both have led to the near-total exclusion of extensive work on reading and writing skills (even though picking apart STEM field problems requires good reading and analysis skills). Not to mention the slashing of budgets for physical education and art, music and chorus, theater and so many other things that would push them to be better students, to be competitive – in a healthy way, that is.

There are nearly 120,000 words in Boy @ The Window, about 60,000 of them dedicated to my years between the end of sixth grade and the beginning of my junior year at Pitt. Many of them describe all that I remember about being in Humanities. It’s not a pretty picture overall. Despite this, without the likes of Laurell and Sam, Brandie and Bobby, Alex and Allison, Dahlia and Dara, Phyllis and Wendy and JD, Joe and Danny, Suzanne and Denise and Mandume and Rhonda and Kim and so many others, I’d still be living in Mount Vernon right now. I’d be lucky to have a minimum-wage job and a one-room flat in someone’s dilapidated house on the South Side. It’s just that simple.

Why the NBA’s Got No Rhythm

Tags

, , , , , , , ,


Missed dunk by "Big Baby" Glen Davis when with Boston Celtics, June 12, 2013. (http://nbamusings.tumblr.com).

Missed dunk by “Big Baby” Glen Davis when with Boston Celtics, June 12, 2013. (http://nbamusings.tumblr.com).

I’m not watching the NBA Finals again this year. And, no, it’s not just because I’m out of town working away this week, either. The NBA has become as predictably out-of-rhythm as DMX’s rap lyrics. The game lacks flow and consistency, a chemistry that can only be approximated by today’s best teams. Which is why only a handful of teams – the Miami Heat, San Antonio Spurs, Oklahoma City Thunder (before Russell Westbrook’s ACL tear), Memphis Grizzles and Indiana Pacers – had a real shot at even making the finals this year.

But let’s be real. The NBA has always had a bit more predictability to it than, say, the Stanley Cup Playoffs or the NFL Playoffs. For as long as I can remember – the past thirty-five years or so – there have been no more than ten teams at any time and for any season who were well stacked and balanced enough to compete for a title. Most years, we’re lucky to see six teams with that kind of rhythm.

Tim Duncan apparently faking Chris Bosh out of sneakers, Game 1 NBA Finals, June 6, 2013. (http://sneakernews.com).

Tim Duncan apparently faking Chris Bosh out of sneakers, Game 1 NBA Finals, June 6, 2013. (http://sneakernews.com).

But it’s not about teams, right? It’s all about the superstars, the grown men whose talent is literally otherworldly, no? This has been an issue that many a dumb-ass sportswriter has brought up as the David Stern era is about to enter decade number four. Tying the popularity of the game to the elite of the elite basketball stars.

My argument isn’t about the downfall of superstars who can’t carry Michael Jordan’s, Magic Johnson’s or Larry Bird’s jockstrap, much less stand on their mantle. Instead, the lack of rhythm in the game comes down to teams fielding collections of talented (though many are also pampered) athletes, rather than talented and hardworking basketball players. That’s why the argument for a Miami Heat dynasty is ridiculous. Compared to my Knicks of the early-1970s, the Heat of LeBron James and Dwyane Wade might as well be the old San Diego Clippers.

Oh, please call me out for sounding like an old man who doesn’t understand today’s game of tapped-on-the-arm fouls and the need to make threes as critical to today’s NBA. Because the reality is, the team game only works well when a team maximizes the number of easy shots they take and make. Two feet with no one guarding you is easier than any three unguarded. Period.

It’s why I never got excited about my Knicks when they came out in November making nearly sixty percent from three-point range. Those shots aren’t there to be made in the playoffs. You need a team that can guard the ball, get a turnover or a rebound, and then use their athletic skills to get down the court for an easy bucket. Giving the ball to J.R. Smith during a four-on-two fast-break so he can shoot and miss a three has about as much rhythm as a character from Oz being pushed down the stairs and breaking his neck.

My Knicks are just a single case of why the NBA game has the rhythm of a wino playing the drums while drooling on his thighs. Most teams can’t spread the floor, pass the ball around, consistently find the open man, or know when and where to shoot a three. Too many teams have players who try to go one-on-five. Not just in the fourth quarter, but every time they touch the ball.

Speaking of guilty feet have got no rhythm, Mark Sanchez's Butt Fumble, November 22, 2012. (http://huffingtonpost.com).

Speaking of “guilty feet have got no rhythm,” Mark Sanchez’s Butt Fumble, November 22, 2012. (http://huffingtonpost.com).

So when I hear others say how boring the Spurs are, I just think “You don’t know anything about the game.” The Spurs are the closest thing we have right now to the NBA game prior to Michael Jordan’s second retirement in ’98. It’s NBA-light compared to my ’90s bruising Knicks, much less the Lakers and Celtics of the ’80s or the Celtics of the ’60s. Those teams had John Coltrane rhythm with Savion Glover tap-dancing skills.

Maybe it’s just that the league needs to shrink, to maximize talent. I’d get rid of Orlando, Charlotte, New Orleans, Minnesota and Atlanta in a New York minute. But that would just concentrate more athletic talent on fewer teams. It would do nothing to make these teams play like teams.

Some would say that it’s all part of this era of hip-hop and rap, this selfish and self-centered way of thinking about life and sports. Football players seem to have the sense that they’re part of teams, though. Bottom line: maybe it’s time for the NBA to hire dance instructors and a jazz ensemble.

CMU “Pope Girl” Update # 2

Tags

, , ,


I was wondering why my Carnegie Mellon blog post on Spring Carnival and the “Pope Girl” was trending again, and then I saw this, courtesy of Kaitlynn Riely of the Pittsburgh Post-Gazette on Monday, June 10:

“A Carnegie Mellon University student who dressed as a naked pope and another who portrayed a naked astronaut during an on-campus art parade in April will have their indecent-exposure charges withdrawn so long as they each complete 80 hours of community service.

The agreement, struck by CMU, the district attorney’s office and the students, was ‘a great result’ for Katherine B. O’Connor, 19, and Robb S. Godshaw, 22, who had been scheduled for preliminary hearings Monday morning, said attorney Jon Pushinsky, who represented Ms. O’Connor on behalf of the American Civil Liberties Union.”

O’Connor, a.k.a. “Pope Girl,” and Godshaw must complete their community service in 120 days. Good for them. Now the ACLU can get back to PRISM, NSA and the Obama Administration.

Read more: http://www.post-gazette.com/stories/news/education/2-cmu-students-accept-community-service-for-parade-nudity-691108/#ixzz2W0JvhenV

Road to My Memoir, Part 2: Multiculturalism

Tags

, , , , , , , , , , , , , , , ,


When I wrote about this long path to Boy @ The Window last month, I figured that it would take three posts in all to discuss the path. But the road’s shown itself to be longer — and more convoluted — than I anticipated.

So I never did write my book about being on welfare, dehumanization and welfare policy. I found a much more interesting subject to take up the following year, in the summer of ’90. I decided to take the late Barbara Sizemore’s research methods course in Black Studies that fall, to move beyond my history courses, as I’d already taken enough of them to have fulfilled my major.

I wanted to look at the re-segregation of desegregated schools through tracking or ability grouping, specifically in Mount Vernon’s public schools. The book that brought me to this topic was Jeannie Oakes’ masterpiece Keeping Track: How School Structure Inequality (1985). It had begun to turn my mind away from slavery as a long-term history project (perhaps one I would’ve pursued in doing my master’s papers or doctoral research) and toward history of education and racial inequality.

Oakes’ main argument was that school desegregation was a mixed bag of success and failure precisely because of the fact that with tracking by academic “ability,”disadvantaged Black students and advantaged White students would seldom meet in the same classrooms. That made me think of my still recent experiences with the Humanities Program in middle school and high school. After all, a school district that was three-quarters Black, Afro-Caribbean and Hispanic had a magnet program that was about sixty percent White during my six years in Humanities.

I spent that summer — when I wasn’t working — at Mount Vernon Public Library, NYU’s Bobst Library, and New York Public Library giving myself a stronger background on this topic. I met with the former MVHS Humanities coordinator Joyce Flanagan (who had become Harrington by then) about getting more specific demographic data about the program by class year and school (Pennington-Grimes ES, A.B. Davis Middle School and MVHS). Much of the data had already been destroyed, Harrington confided. The data she did give me, while informative, wasn’t enough to do even a watered down version of what Oakes did for Keeping Track (she interviewed 14,000 students and teachers in all).

I ended up doing my research project on Pittsburgh Public Schools and their International Baccalaureate programs at Schenley and Allderdice HS. It was a solid paper, an easy A compared to my comparative slavery paper for Drescher’s graduate course the semester before. But it wasn’t enough for me.

In the course of building up my knowledge on segregation, suburban schools, urban school districts, and community control, I stumbled onto books about multicultural education. I wanted to learn more, so I took a sociology course my final undergraduate semester on the sociology of race and ethnicity (there weren’t any education courses that focused on either race or multiculturalism at Pitt in ’91).

The turning point came with my friend Elaine, who knew of my interest in the topic. She was the one who had informed me of a growing controversy with New York State’s newly proposed history curriculum, one in which the ideas of multicultural education had played a key role. That work the summer before grad school, that work to understand why there was any controversy at all, led me to finding out more about cultural pluralism and its history. This then led to the role of Black intellectuals and educators in applying cultural pluralism, the differences between multiculturalism, multicultural education and Afrocentricity.

I had my dissertation topic in broad strokes before I’d taken any courses as a master’s student (not counting the comparative slavery class). But in the process of moving from re-segregation and Jeannie Oakes to multiculturalism, I’d moved from a wide-eyed student of everything that related to my life at age twenty to an aspiring academician, a historian of educational and cultural ideas.

I’d taken the first steps to bury myself in academic writing and thinking, without fully understanding why I cared about multiculturalism in the first place. It took me a decade to figure out that the lack of understanding of diversity in Humanities was part of what made it a bittersweet experience for me, an experience that drove me toward multiculturalism as a research topic. It took ten years before I realized that my pursuit of multiculturalism in Black Washington, DC was my way of dealing with my own past without any emotion. Multiculturalism took me further away from the writer (and historian) I wanted to be, even as I earned my doctorate on the topic.

Teaching Teachers – and Learning, Too

Tags

, , , , , , , , , , , , ,


Sad teacher, May 9, 2013. (http://www.guardian.co.uk).

Sad teacher, May 9, 2013. (http://www.guardian.co.uk).

I’ve been in a classroom as a lecturer, teaching assistant, teaching fellow, instructor, or professor off and on since November ’91, and consistently as an adjunct associate professor for the past five and a half years. I’ve taught roughly 2,000 students in that time (not counting the high school students I worked with when I was Director of Curriculum with Presidential Classroom in ’99 and ’00). I’ve probably had about 100 or so difficult to impossible students in that time. But no group of students I’ve taught have been more difficult for me to work with than teachers, actual and aspiring. Yet I’ve learned more about teaching from teachers in my classroom than from any other group of students.

This month marks fifteen years since I taught my first graduate course, History of American Education at Duquesne University in Pittsburgh. It was my first opportunity to teach since I’d graduated from Carnegie Mellon University the spring before. It didn’t necessarily show. I figured out fairly quickly, though, that the students in this required education foundations courses weren’t the wide-eyed grinders I had during my Carnegie Mellon years.

Twenty-two students in all were in my course, and nearly half of them were already in the classroom at suburban schools scattered through Western Pennsylvania. Most of my students had at least five years on me, and the youngest was my age, twenty-eight years old. I had only one Black student, and a classroom full of ready-to-be-bored White women with low expectations for any history course. On top of that, we were supposed to meet for two hours a day, five days a week for six weeks. And all for the wonderful salary of $1,935!

Canevin Hall (where I taught for four semesters, Duquesne University, Pittsburgh, PA, June 5, 2013. (http://w4.campusexplorer.com).

Canevin Hall (where I taught for four semesters, Duquesne University, Pittsburgh, PA, June 5, 2013. (http://w4.campusexplorer.com).

I wasn’t intimidated. But I probably should’ve been. I taught the course as if I was teaching a watered down upper-level undergraduate history course, great if the course was only for history majors or high school history teachers (of which I had two or three). With so many actual teachers in my classroom, though, I realized by the beginning of the second week that they were privately critiquing my teaching style. They noted that I lectured too much, that I didn’t facilitate discussions well when I did have discussions, that my paper assignments were too open-ended for a group of classroom and aspiring teachers.

A student who didn’t like their B+ on the first paper assignment aggravated some of the tensions in this first class. She stood up during my review of their first papers and yelled that her master’s “thesis committee didn’t find as many problems with [her] writing” as I did. I said in response, “Well, I didn’t read your master’s thesis or grade it, for that matter.” Just short of losing control of my classroom, I met with the student in the hallway to settle her down (albeit by threatening to report her actions in my classroom to the dean) after that class meeting.

That first semester resulted in a love-hate relationship with the teachers I taught. Most truly liked the way I related US history to the short and winding history of American education. About a sixth of my students tore me apart in evaluations, criticizing everything from my lecture style to how I pronounced certain words with a “New York” or “Black” accent.

This only grew worse in my fall ’98 graduate course. I truly thought I’d drawn the worst group of students ever. Fourteen in all, and none of them seemed interested in earning an MAT (Master’s in Teaching), much less in an ed foundations course. They never seemed to do the readings, much less understand them.

Chicken and broccoli stir-fry over rice, February 2013. (http://slimimzsolutions.com).

Chicken and broccoli stir-fry over rice, February 2013. (http://slimimzsolutions.com).

Two weeks before Thanksgiving, one of my students brought a chicken and broccoli stir-fry dinner to class, which she proceeded to eat during the lecture portion of my class. She continued during the break and into the discussion. No one was prepared. I finally asked, “How many of you have done the readings for this week?” Not a single student raised their hands. I immediately dismissed the class for the week, adding “there’s no need for us to have a discussion this week, then.” I said to the female student intent on eating her way through a three-hour class, “Now you have plenty of time to eat. Don’t bring your dinner to class again.”

I was so frustrated with this group of students. I mean, they were grad students, right? They seemed about as motivated as a group of ninth-graders at a low-performing school, on the verge of dropping out. I decided to do some background checking into my students, and realized that most of them barely met the 2.5 GPA requirement for the MAT program at Duquesne.

That’s when I also realized that some of what my students had said about me during my summer course was correct. I did lecture too much. I didn’t devote enough time to discussion. I never discussed what I wanted to see in their papers. Most importantly, I didn’t meet my students where they were before raising their expectations in their own academic performance. I treated them as if I didn’t care if they learned the material, even though I obviously did care.

I immediately began to apply these minor epiphanies in the last six weeks of this class, with my students more involved as I became more of a facilitator and less of a lecturer. While this group was hard on me in their evaluations, they also noted how their views of history as teachers had changed. Meanwhile, my views on teaching had changed, and for the better.

Walking the Obama Criticism Tightrope

Tags

, , , , , , , , , , , , , , , , ,


Philippe Petit in midst of his high-wire crossing between the Twin Towers, New York City, August 7, 1974. (http://www.talktalk.co.uk).

Philippe Petit in midst of his high-wire crossing between the Twin Towers, New York City, August 7, 1974. (http://www.talktalk.co.uk).

These are the times in which we live. Where a critique of a phrase, speech, demeanor or policy can leave someone like me on the outs with White progressives or blindly devoted Obama supporters. Or a comment that could be used to paint me as an Uncle Tom and a Black socialist revolutionary at the same time. It’s crazy these days whenever the subject of President Barack Obama, (or Michelle Obama, or the Obama Administration) comes up.

I’ve probably done about thirty blog posts and nearly 1,000 tweets related to the politics and policies of President Obama and his administration over the past five and a half years. Most of them have been positive, or at least hopeful. I genuinely like the man, his wife and his kids, at least from afar, in part as a result of reading his books. My distaste for his centrist political decision-making, for policies that have left the nation stagnant economically, educationally, socially and geopolitically are all well documented here and on Twitter as well.

Yet it’s hard for most people I’ve encountered to separate how they feel about the man and his family and what they think about his presidency and politics. I’ve found myself having to defend my writings about Obama against a tide of rabid far-right Americans. They’re mostly White and male, and mostly making arguments that approach the ravings of psychotic serial killers. Theirs is an imagined President Obama, one who conspired with his mother for the presidency from the womb. One whose policies range from socialist and Kenyan one minute to fascist and Islamic the next. They absolutely refuse to admit they’re ape-shit over this Black guy as POTUS, his Black wife as First Lady, and his Black children living in the White House.

I’m used to the ravings of this lunatic fringe, though. They are a familiar enough sort. The academic version of these folks were the ones who insisted that I was a plagiarist because of the quality of my writing. So when I get their often idiotic ramblings and significantly misspelled, often grammatically incorrect responses, I laugh nervously, knowing that you don’t have to be literate to be dangerous.

Maria Spelterini crossing Niagara Falls on tightrope with feet in peach baskets, July 4, 1876. (George E. Curtis [1830-1910] via Wikipedia). In public domain.

Maria Spelterini crossing Niagara Falls on tightrope with feet in peach baskets, July 4, 1876. (George E. Curtis [1830-1910] via Wikipedia). In public domain.

But I also have to deal with two other camps on Obama, one steeped in policy criticism, the other in ecclesiastical praise and worship. Progressives, mostly White (though hardly as exclusive as the rabid right), have been on a rampage about President Obama’s use of executive privilege since day three of his presidency. To be sure, I’ve made many of the same criticisms about the use of drone strikes and the murdering of American citizens (not to mention Pakistani and Yemeni innocents) abroad, about the continued use of Gitmo to hold dozens of folk who have been proven to not be terrorists. Not to mention the Obama Administration’s ineffective use of political capital on the economy, K-12 and higher education, and even healthcare.

Still, my not-as-left-as-me comrades tend to act as if they were clairvoyant about the missteps that the Obama Administration would take and make back in ’08 and early ’09, even though they voted and actively supported his election in the first place.

Yet there’s no group more annoying than Obama’s blind supporters. They are Black and White, but both tend to be elites who think that they’re liberals but are really Clinton-esque centrists. They seem to praise President Obama’s every word, every step and every decision. When there’s a clear-cut issue on which to criticize his administration — such as the huge increase in drone strikes and the sequester agreement of ’11 — they remain as silent as church mice. It’s as if Obama’s White House is the Forbidden City and his army of supporters the eunuchs who run the place, never telling the emperor what he actually needs to hear.

So with any criticism of President Obama or even Michelle Obama comes the insinuation that how dare I beat up on the nation’s first Black president. “He’s doing all that he can, but Congress and the GOP stand in his way,” they often say. Or “leave Michelle alone,” some say, noting her active (yet completely ineffective) efforts to tackle childhood obesity as an example of her grace.

Forbidden City tour, with actors playing emperors, eunuchs and concubines, June 1, 2013. (http://www.newmantours.com).

Forbidden City tour, with actors playing emperors, eunuchs and concubines, June 1, 2013. (http://www.newmantours.com).

My last set of comments on Obama came on Twitter a couple of weeks ago, noting their “hard truths” speeches about the plight of African Americans in today’s America, calling for Black graduates of Bowie State University and Morehouse College to take up the mantle of personal responsibility. I said it was the wrong speech for the wrong audience at the wrong time. Except that their audience was really their White supporters watching on TV, not the Black students who already knew too well that mantle.

My tweets brought representatives from all sides out to praise or blast my comments. I was an Uncle Tom one minute, absolutely right the next, and then a socialist making excuses for Black pathologies a minute later. I think the next time I do a post on Obama, I’m riding a unicycle!