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Notes from a Boy @ The Window

Tag Archives: Fringe (2008-13)

My Olivia of Our Future

11 Saturday Feb 2017

Posted by decollins1969 in 1, Academia, culture, Eclectic, High Rise Buildings, New York City, Politics, Pop Culture

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Tags

Allegory, Climate Change, Dystopia, End of Western Civilization, Fringe (2008-13), Future, Jasika Nicole, Narcissism, Olivia, Olivia Pope, Racism


Cropped front cover of Olivia Saves the Circus (1994), by Ian Falconer, February 11, 2017. (http://amazon.com).

Cropped front cover of Olivia Saves the Circus (1994), by Ian Falconer, February 11, 2017. (http://amazon.com).

I’m imagining that the year is 2347. My great-great-great-great granddaughter is Olivia Levy-Collins. She’s in her mid-thirties. After reading my only moderately successful manuscript on the history of American narcissism as a preteen, she becomes interested in the social sciences. A resident of Africa’s southern cone, Olivia does her undergrad at the University of Botswana, double majoring in Archaeology and Ecology. She goes off to the world-renown Universidade de São Paulo (University of São Paulo) in the Brazilian zone, where she earns her master’s degree in Western Civilization (with a focus on 20th and 21st-century American history), and a doctorate in cultural anthropology, with a focus on historical social psychology.

Olivia does her dissertation on the causes of the collapse of the Western world. This is not a new topic in the 24th-century world. Every one of the six billion people on the planet knows the broad story. How, after centuries of dominance, the economic and political structures of Western Europe and the United States underwent long-term decline in the midst of growing economic inequality, continued oppression of already vulnerable groups, undue influence of corporations on governance, and climate change beyond their abilities to comprehend. The proxy wars with terrorism and quasi-nation-states that later led to right-wing revolutions within Europe and the US. The full-blown civil wars and climate degradation that followed.

The US destroyed itself, as anarchists launched a cyberattack that took out the one-time superpower’s entire electrical grid. The groups once known as White supremacists retaliated, and used stolen nuclear weapons on six US cities, including the capital, Washington, DC, to take out the cyberterrorists, most of whom had been rumored to be Arab Muslim and Latina. The riots, famine, starvation, and consequences of climate change ensued, and ensured that the US would not be ever again. Europe also went through many of these convolutions. If it were not for the collective work of scientists in Brazil, India, China, Canada, and Southern Africa to remove the buildup of carbon dioxide and methane gases from the atmosphere and oceans, full-blown nuclear war may have occurred.

Kerry Washington as Olivia Pope from Scandal, a show about damage control, controlling the narrative, September 15, 2011. (http://scandal.wikia.com).

Kerry Washington as Olivia Pope from Scandal, a show about damage control, controlling the narrative, September 15, 2011. (http://scandal.wikia.com).

Olivia, though, like a new generation of her colleagues, wanted to understand what would cause people from the most powerful nations on the planet to collectively lose their minds. Why would they, after overwhelming success to subdue the earth, then turn on each other to kill the very things that gave them enormous power in the first place? My book from so many generations ago gave Olivia one possible clue. She found my book on the shelf of an ancient library in Walvis Bay, in the country that used to be Namibia. It was part of a school trip that Olivia was a part of while in primary school, to give students an appreciation for ancient attempts to preserve knowledge in depositories for books made of wood pulp, glue, and toner ink. She’d heard about the book from her great-grandmother, who had heard about it from her grandmother. The latter whom had read the book numerous times, as my son had moved his family from the US to South Africa as the occasional American unrests turned deadlier in the mid-21st century.

But, even after that field trip, even after getting her mother to get her a rare electronic copy of my book from the United Nations’ central archives in Aleppo, even after reading it, Olivia didn’t fully believe it. She couldn’t comprehend a culture that would waste vast quantities of natural resources, including human ones. She’s didn’t understand how a society in which everyone thought that becoming wealthy was their birthright could possibly function. She didn’t get how a nation as powerful as the US was always so fragile as an idea, not to mention in actuality.

Olivia’s dissertation work took her to the abandoned city of New York in 2347. With the exception of its crumbling skyscrapers, most of the city was covered by tens of meters of dirt (some of which remained radioactive). Other parts, like the area once known as Wall Street and Battery Park in Manhattan, or Park Slope in Brooklyn, were also partly underwater. She and her fellow group of two-dozen anthropologists, archaeologists, and other scientists, descended on the abandoned city, along with military commandos, all trained to expect the unexpected. In the case of the military, their training included scenarios for exploring exoplanets, which many saw as less dangerous than the exploration of a relatively recently dead civilization.

They went to two sites to conduct their studies. One, the New York Public Library on West 42nd Street and 5th Avenue. The other, two hundred meters away, was this recently excavated place in the old city, something the world once called Times Square. Olivia’s team explored the unearthed library, or at least, what was left of it. Fighting, flooding, dirt, and earth had left the main branch of one of the largest libraries in the Western world a shell of itself. It did have books and other collections still. Mostly self-help books, political memoirs, and recordings of one of the last US presidents, Donald J. Trump.

A partially buried car on Governor's Island, NY, September 13, 2009. (http://scoutingny.com).

A partially buried car on Governor’s Island, NY, September 13, 2009. (http://scoutingny.com).

Olivia, though, unlike her younger counterparts, knew that as self-centered as the remaining collection appeared, it wasn’t the whole story. She knew from my book and from the other books of the 20th and 21st centuries that there were numerous intellectuals and writers who tried to warn the world that the facade of narcissism would lead billions to their deaths. That cannibalizing selfishness could even possibly destroy the world, certainly the Western world.

But she did find it interesting that after the fall of the West, in one of its greatest cities, only the most narcissistic of preserved materials remained. It told her one thing. The narcissism was real, that millions had fallen prey to it. That in an age in which the world didn’t have the technology to use energy-matter converters to replicate food, clothing, shelter, and medicine for 7.3 billion people, millions once lived as if there was no tomorrow, like life was one big party. To the point where these Westerners made significantly more copies of their homages to themselves than they did of anything else.

So Olivia took this knowledge, and the knowledge gained from the Times Square dig. She titled her dissertation, “How Western Civilization Cannibalized Itself: Reproduction, Capitalism, and Narcissism, 1750-2100.” That same year, Olivia turned it into a book, an interplanetary must-read, Runaway Narcissism and How the Sun Set on the Western World. It raised lots of questions about how humanity overcame its own narcissism, but at great cost. It would be one of the great books of the 24th century. That’s my Olivia!

Continuum’s Legacy: Dystopia Now

07 Saturday Nov 2015

Posted by decollins1969 in 1, culture, Eclectic, Movies, Patriotism, Politics, Pop Culture, Work, Youth

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2077, Alex Sadler, Alternate Future, Alternate History, Bill Gates, Charles Koch, Continuum (2012-15), Corporate Congress, Economic Inequality, Erik Knudsen, Firefly (2002), Fringe (2008-13), Kiera Cameron, Liber8, Michael Bloomberg, Oppression, Plutocracy, Rachel Nichols, Resistance, Revolution, Sci-Fi, Simon Barry, SyFy, Time-Travel, William B. Davis


Continuum series art, August 2012. (http://liber8thecontinuum.tumblr.com).

Continuum series art, August 2012. (http://liber8thecontinuum.tumblr.com).

Continuum (2012-15) ended its fourth and final season on SyFy here in the US and Showcase in Canada last month (we can still watch it — eventually all of it — on Netflix, though). Typical of most science-fiction series, Continuum ended with a six-episode arc that cannibalized its main theme, in this case, time-travel. Six episodes about soldiers from the future attempting to prevent the creation of a better-future-alternate-timeline for the year 2077, one that didn’t include corporate plutocratic totalitarianism over the rest of the world. Continuum’s creator Simon Barry could have and should have done better. This ending obscured what Barry attempted to illuminate throughout the series. Despite the problems of a bludgeoned timeline and plot in Season Four, Barry did get the idea of a potential corporate dystopia correct. His Continuum offered up the idea that the twenty-first century world is already at war, between more economic and political freedom on the one hand, and increasing global economic inequality and corporate influence on the other.

Continuum was the Canadian sci-fi show about Kiera Cameron (played by Rachel Nichols), a police officer from 2077 but stuck in the 2010s with a group of time-traveling anti-capitalist terrorists known as Liber8. Continuum, though, is hardly the only show with the theme of a dark near future. FOX’s Fringe (2008-13) and the short-lived yet cult favorite SyFy series Firefly (2002) were both examples of a world in which corporate interests and government power had nearly become one and the same. Yet in those series, whether located on an alternative Earth or the twenty-sixth century, there remained a line between corporate influence and governmental authority.

Humans as mindless drones (implanted with mind-controlling chips) working off debt at a factory in British Columbia, Continuum, Season 2, Episode 9, July 7, 2013. (http://www.syfy.com).

Humans as mindless drones (implanted with mind-controlling chips) working off debt at a factory in British Columbia, Continuum, Season 2, Episode 9, July 7, 2013. (http://www.syfy.com).

On this point alone, Continuum succeeded precisely because it didn’t pretend there were better days of capitalism and democracy in the past. From its pilot episode, set in present/alternate future Vancouver, British Columbia, Barry’s vision of a plausible darker future shined through. It was a future in which corporations would eliminate the nation-state entirely as the middleman for its profitability and power interests. The Global Corporate Congress would be the resulting outcome of the failures of governments around the globe to address population growth, climate change, trillions of dollars of debt and a host of other issues. But really, it would also be the outcome of corporations using governments and government tax breaks to corrupt democracy and hoard wealth. Barry realized that this alternative course is one the world is already on.

The biggest question any serious fan of Continuum should have is this. Why didn’t Barry send the terrorist group Liber8 back to 1977, where the path toward the Global Corporate Congress could’ve been destroyed before billionaire social-control advocates like Bill Gates, Michael Bloomberg, and Charles Koch would have been able to build their paternalistic view of the world? After all, it’s really not that much of a leap from Gates’ heavy-handed philanthropic work in public education and the Citizens United decision in the US to a world plutocratic government run by the heads of multi-trillion-dollar corporations.

The saddest aspect about the end of Continuum was the idea that it ultimately took a 83-year-old robber baron with a conscious in Alec Sadler (played by William B. Davis and Erik Knudsen) to change this dark trajectory. That billions of humans didn’t revolt to a future in which corporations controlled every aspect of their lives — that’s just appalling. Yes, Liber8 and other anti-capitalist and anti-Corporate Congress rebels (or terrorists) were around and engaged. But most people apparently allowed themselves to be led like sheep to the slaughterhouse, all for reasons involving food and security. Still, were it not for Sadler and his great time-travel device, this would be a world in which all of us would be plutocratic corporate slaves. Hard to imagine anyone like Sadler willing to change this future, precisely because this is the future real-life plutocrats like Gates, Bloomberg, Koch (and Steve Jobs, and Mark Zuckerberg, and Phil Knight) want.

Then-Mayor Michael Bloomberg attempting to sell soda size ban to New Yorkers, May 30, 2012. (http://adweek.com).

Then-Mayor Michael Bloomberg attempting to sell soda size ban to New Yorkers, May 30, 2012. (http://adweek.com).

That a corporation could arbitrarily decide how families could discharge their debts, make works of art of acts of free speech contraband, and insert microchips in humans in order to keep them from rebelling or to force them to work off their debts. As disgusting as that was to see on Continuum, the sad truth is that we’re not very far from this future at all. If anything, we needed more examples of this soul-destroying future, not more muddled attempts to destroy it.

This is the real legacy of Continuum. Not its fancy time-travel motif or cool-looking gadgets. The reminder that freedoms from economic and political oppression are ideals humanity must fight for in every era. That people shouldn’t cede power to corporations over the food supply, water, law enforcement or education out of fear or desperation. That societies shouldn’t blindly trust billionaire robber barons—no matter how well-intentioned—simply because they promise some of their billions to help the poor. We the people need to trust and verify, through governments, through muckraking, protests, and, if necessary, through revolution, against this plausible future.

Boy @ The Window: A Memoir

Boy @ The Window: A Memoir

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