What I Didn’t Know (in ’81, in ’97, in ’13)…

May 18, 2013

Noah with me, January 3, 2004 [he was five months old]. (Angelia N. Levy).

Noah with me, February 28, 2004 [he was seven months old]. (Angelia N. Levy).

What I didn’t know across the past thirty-two years could be another book for me. I assume that would be the case for anyone would could look back across their life and second-guess themselves over that long a period of time. For me, though, the significance of today comes out of my mathematics background. You see, today’s my sixteenth PhD graduation anniversary. Not all that significant, I suppose. Except that I’m as far away from the end of my graduate school days at Carnegie Mellon today as I was from the first days of being a Hebrew-Israelite and watching my family fall into welfare poverty when I graduated in ’97.

100th Commencement Ceremony program, Carnegie Mellon University, May 18, 1997. (Donald Earl Collins).

100th Commencement Ceremony program, Carnegie Mellon University, May 18, 1997. (Donald Earl Collins).

Two things will hurt your success in this life. One is not acting on the things you know you should or must do. I learned that hard lesson from watching my mother make the decision to not make any decisions until it was too late, all while growing up at 616. Two is the enormous danger of not knowing, and therefore, not being able to act or respond to new or damaging situations as they arise. I’ve learned that lesson pretty well, too. Sometimes the hard way, through really bad experiences or decisions I didn’t play out like a game of eleventh-dimension chess. Sometimes through insight, foresight, even divine inspiration, anticipating what I didn’t know ahead of time.

And even with anticipation, you still might not be able to do anything about what you do and don’t know, simply because you’re not in any position to change things. That was especially true in ’81. I knew that my now deceased idiot ex-stepfather Maurice Washington was no good. But when my Mom decided to end her six months’ separation from him, there was nothing I could really do about it. I knew that with inflation rates of 14.5 percent in ’79 and 11.8 percent in ’80 (thank you, Scholastic Weekly Reader) and my Mom income of roughly $15,000 per year that we had less and less to work with at home. Again, not much I could do about that, either. Even paper boy jobs were drying up by the time I turned twelve!

O'Jays Back Stabbers (1972) album cover, November 10, 2011. (Dan56 via Wikipedia). Qualifies as fair use as low-resolution illustration of subject matter.

O’Jays Back Stabbers (1972) album cover, November 10, 2011. (Dan56 via Wikipedia). Qualifies as fair use as low-resolution illustration of subject matter.

What I didn’t know was how quick and violent the shift into poverty would be. What I didn’t know was that Maurice would use his/our conversion as Hebrew-Israelites as justification for abusing my Mom and me. What I didn’t know was that my Mom would have three more kids by this man between July ’81 and May ’84. What I didn’t know was that I would feel so low about the loss of my best friend and my sense of self that I’d attempt to take my own life on my fourteenth birthday, at the end of ’83.

But when I looked back on this in ’97, I mostly thought about the good things that had occurred in the fifteen years between the domestic violence my Mom endured on Memorial Day ’82 and my doctoral graduation ceremony. My independent conversion to Christianity in ’84. Knocking out a 5 on my AP US History exam without ever cracking open Morison and Commager. Overcoming poverty and my lack of self-esteem to build a life at Pitt and in Pittsburgh between ’88 and ’97.

Still, I’d already been wounded, badly. By the things I knew but did nothing about. By those things I could’ve anticipated but my efforts to counteract were insufficient. By those things I couldn’t have known at all. I knew I’d have problems with my “running interference” advisor Joe Trotter coming down the dissertation stretch. Yet because of departmental politics and my need to be done sooner rather than later, I did nothing about this until I was six chapters into an eight-chapter dissertation. I knew my mentor and committee member Bruce Anthony Jones could sometimes be unreliable. Yet I had no idea that he would completely abandon me and his other doctoral students the moment he signed his name to my and their dissertations.

My dissertation's signature page, May 18, 2013. (Donald Earl Collins),

My dissertation’s signature page, May 18, 2013. (Donald Earl Collins),

Most of all, I never anticipated that my Mom would actually be jealous of me, and would spend a whole week with me at 616 and in Pittsburgh doing and saying things to completely disparage what I’d worked so hard for. For me, for her, for my family. That was hard to get over. There are times I’m not sure if I’m entirely over this yet.

What I’m sure of in ’13, though, is what I do know, don’t know, and can only anticipate with the wisdom of experience and wisdom beyond my experience. I know that I love my wife, that there’s a lot in common between her and Crush #1 (for those of you who’ve read Boy @ The Window so far, the implications should be obvious), real and from my own imagination. I didn’t know that I’d have a kid, a son who at nearly ten is both wonderful and perplexing, and hopefully, off to a much better start in life than I ever got. I suspect that one of my references for jobs and consulting gigs has been undermining my efforts over the past five years, and have thus removed her as a reference.

What I don’t know — but can only hope and work like a dog toward — is whether Boy @ The Window will be a success. I’m not sure if quantifying it would help. I sold a thousand copies of Fear of a “Black” America between August ’04 and January ’07, without the benefit of this blog, Twitter, Facebook or the e-book platforms. How long before I sell my first hundred, thousand, 5,000 or more? I have no idea. But as they say, I “must walk the path, not just know it.”


Afrocentricity and the Writing Bug

May 15, 2013

A ladybug, often a symbol for the writing “bug,” May 15, 2013. (http://flickr.com). In public domain.

This time two decades ago, I was already a bit desperate for work. In transferring from Pitt to Carnegie Mellon, I’d left myself without any financial coverage for the summer of ’93 (see my post “The Arrogance of Youth, Grad School Style” from June ’12). I had applied for several fellowships, summer teaching gigs, even some nonprofit work. But as of the middle of that May, nothing had come through. I’d already spent $200 on a root canal that occurred on the same day as my written PhD comps at CMU (see my post “Facing the Tooth” from May ’12).

Even before my comps and my surprise root canal, I had talked with my friend Marc about writing a joint article about the false litmus test of Blackness that Afrocentricity had come to represent in our minds. Between Molefi Asante’s students at Temple — not to mention the overtly Afrocentric turn of both the Black Action Society and the Black Studies department (which had changed its name to Africana Studies) in the previous eighteen months — both of us felt we needed to provide an alternate perspective.

On that third Saturday in May (and the day after my comps and root canal surgery), we worked for five hours in putting together what amounted to a 1,200-word opinion piece against the belief system and authenticity test that Afrocentricity (and Afrocentric education) had become. By some folks’ definition, we realized that jazz, Miles Davis and John Coltrane would fail the authentically Black test of a Molefi Asante’s wonderful Afrocentric Idea (1987) and of Maulana Karenga as well.

Frances Cress Welsing's The Isis Papers (1991), [about as authentic as auto-tunes], May 15, 2015. (http://amazon.com).

Frances Cress Welsing’s The Isis Papers (1991), [about as authentic as auto-tunes], May 15, 2015. (http://amazon.com).

Now I’m pretty sure why Marc had problems with Afrocentricity. As a Christian and a jazz aficionado, Marc likely saw Afrocentricity as something somewhere between a misguided way of thinking about Blackness and complete and utter bull crap. His goal was to “add to the debate” and “educate” those who weren’t Asante or Karenga apostles and disciples. A laudable — if somewhat naive about the politics of academia and race — goal.

As for me, beyond the academic superficiality of having a litmus test on what is and isn’t Black, I had at least two unconscious reasons for writing my first crossover piece. One had to do with my sense that too many young folks were all too interested in doing the cool thing and not the right thing. Afrocentricity was cool, just like all rap and hip-hop was cool, just like giving libations to ancestors was cool.

Being cool had always meant following a crowd and seldom saying anything that would dig more than a nanometer beyond the surface. Or saying a critical thing about the cool thing that everyone in the same crowd otherwise takes in without a critical thought. I went to a high school full of people like that, and loathed being around people like that when I’d been a part of the Black Action Society at Pitt.

Unconscious reason number two had something to do with my Hebrew-Israelite days. Again, I gave this zero direct thought during my grad school days. But the given the trauma I’d suffered through during my three years of kufi-dom, it had to affect my thinking about Afrocentricity. The Black folk I knew who were part of the Hebrew-Israelite religion were much more obvious about what they did and didn’t consider Black or kosher. Yet, it was so obvious that they constantly contradicted themselves, in terms of food or music, how they treated their wives or children. Most important for me, though, was the fact that they tried to live separate and apart from other Blacks, yet seemed no more different beyond the kufis, veils and kosher meats from other Blacks (or Jews, for that matter).

I saw Afrocentricity as bullshit, and still see the fact that so many folks who get caught up in this sense of authenticity around Blackness as folks falling for bullshit. If I hadn’t lived as a Hebrew-Israelite between the ages of eleven and fifteen, perhaps I wouldn’t see Afrocentricity this way. If I hadn’t been around the “Party All The Time” folks in high school and the “Black Panther Party” posers at Pitt, maybe Afrocentricity would’ve been more appealing to me.

Letters to the Editor, Black Issues in Higher Education, September 9, 1993. (Donald Earl Collins).

Letters to the Editor, Black Issues in Higher Education, September 9, 1993. (Donald Earl Collins).

But at twenty-three years old, I was already tired of the pursuit of coolness and authenticity. That hasn’t changed in the past two decades. I’m sure the letters that called Marc and I “Uncle Toms” after our piece was published in Black Issues in Higher Education were from folks who thought we weren’t cool, and thought they had the answers to life itself.

I wonder how those folks back then would see the academics who believe that hip-hop can explain everything in the social sciences and humanities who are prominent today. Perhaps some of these people today were the Afrocentric followers of twenty years ago. Perhaps not. All I know is, I haven’t stopped writing since that cloudy day in mid-May.


My Trouble w/ the Lauryn Hill Reaction

May 9, 2013

House Speaker John Boehner sobbing in public (again), May 8, 2013. (http://www.goodbye-blue-monday.com/).

House Speaker John Boehner sobbing in public (again), May 8, 2013. (http://www.goodbye-blue-monday.com/).

I am by no means a supporter of our slanted US justice system. It’s all too often slanted against the poor, of color and male. But I can’t sit around and watch folks gnash their teeth over the federal court in New Jersey sentencing her to three months in jail for over $1 million in income tax evasion.

Sure, it’s not fair. Perhaps even very unfair. We must keep in mind the simple fact that the IRS, et al. take years attempting to work with the rich (and yes, Lauryn Hill is a rich person) before putting a case together for the federal courts. It’s not as if the feds immediately swooped in, tasered Hill and then dragged her  through the streets in chains on the way to court. After all, she didn’t file federal or state income tax returns on $2.3 million in income from ’05 through ’09 — for five years! Heck, if Willie Nelson could figure out a way to stay out of federal courts and prison while paying off $17 million in back taxes, then surely Hill could’ve done the same at some point.

Lauryn Hill in court for one of her sentencing hearings, April 22, 2013 (Eduardo Munoz/Reuters). Qualifies as fair use under US Copyright laws, given subject matter and public hearing.

Lauryn Hill in court for one of her sentencing hearings, April 22, 2013. (Eduardo Munoz/Reuters). Qualifies as fair use under US Copyright laws, given subject matter and public hearing.

Those who’ve compared drug-addled celebs like Lindsey Lohan to Lauryn Hill as a case of Black versus While and the criminal justice system are missing a couple of valuable points. One, Lohan’s cases have never been federal, with mandatory sentences included. Two, and this is way more important, the feds tend to be pretty unforgiving once they do bring a case against a rich person for income tax evasion (e.g., Al Capone, Wesley Snipes, Leona Helmsley).

As much as I like Lauryn Hill’s music, I may feel bad for her, but I’m not going to make a federal case out of her serving three months in a federal prison for tax evasion. She’s not Mumia Abu Jamal, Angela Davis, Assata Shakur or even Tupac Shakur. Maybe Hill should’ve heeded lyrics straight from The Fugees, adapted federal government-style: “Ready or not, here [they] come, you can’t hide (uhhhh-huhhh) /gonna find you, and take it slowly…” As for the “find you” part, I also have to misquote Die Hard (1988) here, courtesy of the character Hans Gruber: “when you steal $600, you can just disappear. When you steal [one] million, they will find you, unless they think you’re already dead.”

I’ll take crap for writing this I’m sure. But Hill will be breathing free air again before Columbus Day, if not sooner.


The Road to My Memoir, Part 1: Welfare

May 7, 2013

Adrian LeBlanc's Random Family (2002) and Rhonda Y. Williams' The Politics of Public Housing (2005), May 7, 2013. (Donald Earl Collins).

Adrian LeBlanc’s Random Family (2002) and Rhonda Y. Williams’ The Politics of Public Housing (2005), May 7, 2013. (Donald Earl Collins).

This isn’t a straight-forward post or series of posts. I didn’t come to Boy @ The Window quickly or easily. I didn’t intend it to be a memoir, even though I’d left myself bread crumbs to turn it into a memoir years ago.

The first time I’d thought about writing a book related to my experiences was at the beginning of my junior year of college, in September and October ’89. Not even three months after my idiot stepfather had left 616 for good, and I was thinking about writing up something about the experience? A bit ambitious I was!

What I did do, though, was somehow find my old scraps of journals about what happened to me when I was twelve before I came back to Pittsburgh and Pitt for the school year. I wrote up additional experiences, about running away from 616 in August ’85, about my Mom’s experience at the feet and fists of my now ex-stepfather, about my time on a drafty Pitt stairwell the year before.

That was painful to write about, so soon after finally being rid of Maurice, too soon, really, for me to fully process it without re-living the experience. So I wrote or rewrote four of these experiences in all, and put them away in one of my Pitt notebooks.

But there was one other experience I wanted to write about, to move from a personal story to one of academic scholarship. It was the experience of my being on welfare from ’83 to ’87, covering on-the-ground perspectives from people like me and my Mom, as well as those of case workers. I thought that it would fill a void in both media coverage and in historical scholarship about the topic of welfare, particularly how it became a racial stereotype and slur.

I thought that by juxtaposing (and that’s the word I used for this back in ’89) the plight of welfare recipients and case workers, that I could show some sense of irony. That so many of the case workers and managers were only a paycheck or two away from being on welfare — and that some of them had been on welfare themselves, at least based on my limited experience — would make for an interesting story. What I hoped to show, ultimately, was the inhumanity of the welfare system itself, pitting people from similar socioeconomic backgrounds against each other because of the mix of welfare as racial and as a form of the undeserving getting their government handouts, of crumbs from America’s table being turned into a political football.

I didn’t say this exactly when I had a conversation about this topic with my former TA Paul Riggs in October ’89. The ideas and many of the sentiments, particularly about “juxtaposing,” “irony,” and “inhumanity,” though, were all part of the conversation. Riggs told me I needed to slow down, that even if I somehow were able to make this topic historical, that I’d need to much more reading on the topic, to divorce myself from my emotions around this topic.

In some ways, my late-twenties mentor was right. It’s hard to do scholarly work on a topic in which you are heavily emotionally invested. The topic wasn’t historical, given that I had just lived it and my Mom and younger siblings were still living it. And I was nineteen after all, and after seven years of seldom writing for any purpose outside of the classroom except letters to former high school classmates and college friends, a book would’ve been a daunting, almost immeasurable task.

That started me on the path to learn how to write like an academic historian, instead of writing out of emotion and irony. One that would delay my writing on anything like Boy @ The Window for the better part of a decade, even as the academic process enabled me to do the interviews and research necessary to put the memoir together.

Luckily, there are three authors whose work over the past decade has covered this topic of welfare, racial stereotypes, inhumanity, criminality and irony. Mostly in ways I would’ve covered it had I had the words and research skills to do this work twenty-four years ago. Adrian LeBlanc‘s Random Family (2002), though a sensational accounting of a Latino family in the Bronx between ’88 and ’01, does provide a glimpse (still MacArthur “genius” Award winner). Rhonda Y. WilliamsThe Politics of Public Housing: Black Women’s Struggles Against Urban Inequality (2005) is her excellent collection of research and personal vignettes about public housing, welfare, Black women and empowerment despite the odds covering the period between the 1940s and the early 1980s (with a bit on the early 1990s). All just before crack cocaine, TANF and the gentrification of previously off-limit poor neighborhoods in a city like Baltimore became bigger themes.

And now there’s Kaaryn Gustafson‘s Cheating Welfare: Public Assistance and the Criminalization of Poverty (2012). She covers in so many ways what I’d once hoped to capture in emotion and storytelling about the stain of welfare as illustrated in policies and politics. Kaaryn’s (I know her from my New Voices days) written a great book, one that I wished I could’ve read or written when I was nineteen.

Kaaryn Gustafson's Cheating Welfare (2012), May 7, 2013. (http://nyupress.org).

Kaaryn Gustafson’s Cheating Welfare (2012), May 7, 2013. (http://nyupress.org).

That wasn’t my path, though I had interests that would include welfare. No, my path was about race, diversity, education and self-discovery, not just about my Mom and family.


K-12 Curriculum as a Mystery Novel

May 2, 2013

Unsolved Mysteries, December 19, 2011. (http://news.discovery.com).

Unsolved Mysteries, December 19, 2011. (http://news.discovery.com).

This week, my son will complete a fourth-grade project in which he interviewed his Pittsburgh grandmother about her migration experience from rural Arkansas to Pittsburgh, Pennsylvania during the Depression decade. Sounds pretty good — and very advanced — on the surface of things. But the reality of how this school project evolved shows how much has changed — and not for the better — regarding schools and curriculum. For my son’s school in Silver Spring, Maryland, for Montgomery County Public Schools and for schools across the country.

You see, the bulk of testing season is over for MCPS’ elementary schools. So instead of practice tests, formative assessments (otherwise known as “formatives”) and the actual exams (MSA, MAP-M and MAP-R), the teachers now have to focus on lesson plans that aren’t test-driven. For April, the fourth-grade teachers at my son’s school decided to do a social studies project on immigration. They started with a wax museum project at school, as well as a field trip to the Phillips Collection in DC.

This was where things began to get interesting for me as a parent. The permission slip for the field trip presented this unit as immigration. Yet in my son’s trip to the Phillips Collection, him and his classmates would peruse a set of Jacob Lawrence’s paintings on migration. For those of you who don’t know, Lawrence’s most famous paintings were of the Great Migration of African Americans from the rural South to the urban North between roughly 1915 and 1930.

Jacob Lawrence: Migration Series, Phillips Collection, Washington, DC (1993), May 1, 2013. (Elizabeth Hutton Turner; http://ucdavis.libguides.com/).

Jacob Lawrence: Migration Series (Cover Art), Phillips Collection, Washington, DC (1993), May 1, 2013. (Elizabeth Hutton Turner; http://ucdavis.libguides.com/).

I could barely contain the historian side of me when I read such an obvious and unbelievable error. But I decided to not assume that the fourth-grade teachers made the decision to treat immigration the same as migration. So I hand-wrote a note that politely suggested that they make a correction on the permission slip and for the overall assignment, since immigration and migration aren’t the same at all.

This was the response I received by email on April 4:

“We have had this wonderful trip planned for the 4th grade for the past 4 years and we always make sure to front load the students with information about the migration process.”

When teachers go into placating-mode without actually addressing my concerns as a parent (and an educator, for that matter), it’s usually a sign of trouble where there otherwise shouldn’t have been any trouble.

Then, nearly two weeks ago, my son brought home his interview/presentation assignment based on the wax museum project and his Phillips Collection field trip. It was titled “Immigrants in Their Own Words.” The fourth-grade teachers had charged the students — including my son — with the task of finding a family member who had immigrated to the US, interviewing them and asking them questions like “In which year did you come to America?” and “What is the biggest difference between America and your country of origin?”

Flabbergasted is just the beginning of my deep sense of puzzlement over the assignment. It was an assignment straight out of a Facts of Life or Head of the Class episode from the 1980s, culturally and racial insensitive to the core. After all, the height of White immigration to the US ended nearly a century ago. For Blacks, well, if I have to explain it, then it may be worth the while of those of you who do teach to take my History of American Education course (that is, whenever I get to teach it again).

My wife wrote an email about this follow-up assignment, to which my son’s teacher replied, “[e]migration and [i]mmigration are almost splitting hairs.” Really? In what history or ed foundations course? With some prodding, we were given the opportunity to adapt the assignment so that my son could work on migration. Of course, even without that note, I would’ve insisted on him doing migration anyway.

Mysterious...the new Sherlock Holmes, January 17, 2011. (H. Armstrong, Roberts/Corbis; http://www.guardian.co.uk/).

Mysterious…the new Sherlock Holmes, January 17, 2011. (H. Armstrong, Roberts/Corbis; http://www.guardian.co.uk/).

That this process was poorly executed is only part of the story. For nearly five years, my son’s curriculum has been a mystery to me, as it jumped around from pre-algebra to basic addition, from writing letters in which he could write phonetically to having to write about beetles in grammatically correct but short sentences. After five years, my son has never brought a textbook home. The weekly emails from teachers and postings on the neighborhood school website and the MCPS website tell me a lot about nothing.

In sum, I know quite a bit about test dates, subject areas and sometimes subject matter in which the state of Maryland and the school district will test the students. What we don’t know from day one of any school year are the themes for each subject for the year or for any given marking period. Because of the priority of testing above all else, the amount of time in the curriculum on subjects like social studies has narrowed, and with it, a teacher’s ability to be autonomous and to think through curriculum in a critical manner. And without textbooks, I as a parent can’t truly anticipate how to help prepare my son for any new or potentially challenging materials.

It’s difficult, though, to anticipate that your son will come home with an assignment on immigration in the fourth marking period of fourth grade. Especially when I as a history professor know how complicated these processes are for undergraduate and graduate students to wrap their brains around. Especially since my son has yet to write a full-fledged book report on any any book he has read for school. Or spent significant time on history or other, non-test-related subjects. Education should always be a journey, but never a mystery.


All The Media’s Stereotypes

April 21, 2013

Dzhokhar & Tamerlan Tsarnaev in Boston Marathon crowd moments before bomb blasts, April 15, 2013. (http://www.mirror.co.uk)

Dzhokhar & Tamerlan Tsarnaev in Boston Marathon crowd moments before bomb blasts, April 15, 2013. (http://www.mirror.co.uk)

The mainstream American media was just one big, almost unbelievable fail this past week. Between the Boston Marathon bombing and the subsequent hunt for brothers Dzhokhar and Tamerlan Tsarnaev, the ricin letters to Mississippi GOP politicians and President Obama and the fertilizer plant explosion in West, Texas. In the last case, the one that killed and injured more people than two dumb asses in Boston. Yet, somehow, in a world in which the best answer should be “I don’t know” or “We don’t know yet,” media folks and their experts have been tweeting and reporting at the level of gossip for the past five or six days.

Usually a fairly careful journalist/columnist, Jonathan Capehart of The Washington Post tweeting three hours after the Boston Marathon bombing on April 15, “April 19: Anniversary of storming of Branch Davidian compound & the Okla. City bombing.” At that point, we didn’t even know the number of people killed, maimed or injured. Nor did we know the number of bombs that had exploded in Copley Square. Think, man, think!

The more famous comments of the week came out of CNN’s shop, though. John King had breaking news Wednesday afternoon that law enforcement officials had identified a “dark-skinned male” suspect. Being a White guy working in mainstream media means that you never have to say “I’m sorry,” apparently. Especially when all of his “breaking news” reporting turned out to be completely wrong.

Let’s not really analyze the so-called reporting of FOX News or the New York Post. You’d get more truth from a psychic doing a Vulcan mind-meld with Tamerlan Tsarnaev’s brain right now than you could from Murdoch’s news media world in a year.

Let’s also not forget many of the so-called terrorism experts whom guessed wrong about race, immigrant status and so many other details this past week. Not to mention reports whom apparently couldn’t find Chechnya on a map if the republic were blown up to 100x normal map size and they put a floodlight on it.

But the most disturbing — yet not very surprising — thing about the past seven days has been how the US media has engaged in a near-endless campaign of racial stereotypes, immigrant stereotypes, terrorism stereotypes, religious stereotypes, patriotism stereotypes, and hyperbole that attempts to defy history. A simple list should help:

  • Terrorist(s) = Arab Muslims
  • Males from the Caucasus = Caucasians, but not White
  • Muslims who commit a violent act = terrorists
  • Violent criminals = anyone not White (especially Blacks & Latinos)
  • Violent mass-murdering Whites = mentally disturbed (i.e., NOT terrorists)
  • Arab Muslims = immigrants, NOT US citizens
  • Indo-Europeans who are White (phenotypically) & citizens but not born in US = Immigrants
  • Boston = city terrorized like no city ever before

On this last one, I must put on my academic historian hat. As in — are you kidding me? Anyone ever hear of Boston in the years before and during the American Revolution? Or, in more recent times, the Oklahoma City bombing in ’95, 9/11 and Lower Manhattan, the DC sniper rampage in ’02? Or, if the idea here is that terrorism should only be viewed through the prism of those who feel terrorized, what about poor Blacks on the South Side of Chicago, in SE Washington, DC, or poor Latinos in cities like Albuquerque and Phoenix? Or, for that matter, innocent civilians in Yemen and Pakistan attempting to avoid being among the “collateral damage” caused by our drone wars for terrorist scalps?

And then, there was the need for release, for yelps of relief and cheers of joy over the successful capture of Dzhokhar Tsarneav late Friday evening, with chants of “USA! USA! USA!” included. Of course people should feel relief for the end of a tense situation. But let’s not get carried away with the tide here.

Stereotype quote taken from Annie Murphy Paul article (May 1998) in Psychology Today, January 16, 2011. (http://nwso.net/). In public domain.

Stereotype quote taken from Annie Murphy Paul article (May 1998) in Psychology Today, January 16, 2011. (http://nwso.net/). In public domain.

We know nothing of motive, but we do know that the police will return to its regularly scheduled racial and socioeconomic profiling in the coming days. We can’t wrap our collective heads around the idea that two assimilated White American immigrants decided to kill runners at the Boston Marathon. Yet we also somehow decided to culturally and legally un-Americanize them — something we didn’t do with Timothy McVeigh. Chants patriotic might be a way to show solidarity, but we refuse to come to grips with the racial/xenophobic and anti-Muslim psychology that comes with these impromptu outbreaks of so-called unity.

Don Henley’s “Dirty Laundry” remains just as relevant now as his tune about the American news media was three decades ago. Still, the completely centrist and biased, always-concerned-about-the-bottom-line media is a mere reflection of our narcissistic and imperialistic selves.


Boy @ The Window Is Live!

April 16, 2013

Final Cover

Final Cover

Well, “it is done,” as my former graduate advisor Joe Trotter used to say. Boy @ The Window is now a published book. For now, it’s an e-book, available on Amazon.com through Kindle Books (as Boy @ The Window: A Memoir) and through Smashwords.com (which will then ensure that the book makes its way to iBooks, Apple’s bookstore, as well as Barnes & Noble.com). I also have a free PDF edition of Boy @ The Window (text only) available on this blog site (in the sidebar to the right), at least for the next three months.

I anticipate putting out a trade paperback edition in the next few months, either in July or in the fall. But with more than forty percent of the book market now in the e-book realm, it made far more sense to start with the fastest growing part of the market first. It’s a bit weird not holding a copy of Boy @ The Window in my hands, being able to leaf through the paper pages. It’s been on my iPad, though, for a couple of days, and seeing it there in 100 percent working order has been a pretty good feeling.

For me, at least, incidents like the Boston Marathon bombing yesterday — and so many other tragedies and dastardly events in the seven years and four months since I first began writing my book — are a reminder to live every day like there may not be a next one. After years of work and waiting for the commercial market to say “yes” to Boy @ The Window, I knew I didn’t want to wait forever to put this work of mine out into the world. So, “hello, world!”


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