Monkey See, Baboon Do

May 22, 2013

Monkey See Monkey Do, May 22, 2013. (http://kidsunder7.com).

Monkey See Monkey Do, May 22, 2013. (http://kidsunder7.com).

There are plenty of stories and vignettes that ended up on the Boy @ The Window scrap heap. Most because they weren’t relevant, some because a particular person or character really wasn’t a significant player in the book. In my final set of story revisions (not dialogue revisions) in ’09 and ’10, I operated under the “two or more rule.” If a person or character showed up fewer than two times in the book, I took them out, as they really weren’t as significant as I originally thought.

But in the case of the Sonya story below, it was a tough cut. I wanted to craft a book in which people felt everything I went through while not feeling sorry for me. I think and hope that I did. Though this story contained many elements of what I wanted in the rest of the book, it didn’t quite fit. Still, it serves as a good reminder of how mean even someone as polite (but certainly not always nice) as I am today could be at thirteen.

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“Sonya was major fodder for Alex in eighth grade. She had a short Afro, an ‘au naturale’ to be exact. She wasn’t nearly as polished in maintaining her looks as many of the other girls in 8U. Sonya wasn’t ugly by any stretch. But by her not attempting to beautify herself in any way, she stood out for some in our class. Why would’ve she needed to anyway? She was also well-spoken, intelligent and outgoing, at least at the beginning of the year. Unfortunately for Sonya, my Italian Club classmates Alex, et al. were around to call her all kinds of names, like ‘baboon,’ and ‘monkey.’ I felt sorry for her, but I was also angry with her too. It pissed me off to see her respond to these semi-racist barbs with a blank face or even a smile.

It pissed me off so much that I ended up calling Sonya one of those names by the end of the school year. One day in homeroom, par for the course, Alex and company picked with Sonya again, calling her a ‘baboon’ among other things. She just sat there with that silly ‘Oh well’ smile on her face, as if they were telling her that she should go into professional modeling. Under my breath, I called her ‘monkey,’ and not as a joke. I just couldn’t believe that she was going to sit there like some pre-Civil Rights era Black in the South and take their crap without any response.

Except that I had called Sonya a ‘monkey’ within earshot of her and Alex. She ran out of the room, apparently to the girls bathroom, where she cried for several minutes, I later learned from Allison. I immediately tried to apologize, which Sonya eventually accepted (after my eighth grade science teacher Ms. Mignone and Allison shamed me for what I said). What I said was unacceptable to me, and the rationale was too intellectual for my own good. For Sonya, it simply came down to her looks, not her disposition. I wished that it had never happened, given what I faced from some of my classmates on a semi-regular basis.”

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1990s R&B/hip-hop duo Zhané from their 1994 album cover Pronounced Jah-Nay, May 22, 2013. (http://centrictv.com).

1990s R&B/hip-hop duo Zhané, from 1994 album cover Pronounced Jah-Nay, May 22, 2013. (http://centrictv.com).

The Sonya story has many of those elements, exposing me good, bad and ugly in the process. It’s about race and teenage ignorance and intellect. It’s about stereotype threat on one obvious level and trying to fit in on an unconscious one. It’s about the person I needed to become in high school as well as how I got to be that quiet yet observant person. The story is significant, yet because I only dealt with Sonya for two paragraphs in a 345-page book (in print form), it didn’t make the final cut. Because there are other and more central characters and stories in which stereotype threat and the ugly side of my immaturity both come out, I didn’t include Sonya.

Luckily, I also have a blog, where even scrap-heap stories can find the light of a new day. So, for this week, the thirtieth anniversary of my calling Sonya a “monkey,” I apologize again. I was a baboon for saying it in the first place. And Sonya, I hope you are well!


What I Didn’t Know (in ’81, in ’97, in ’13)…

May 18, 2013

Noah with me, January 3, 2004 [he was five months old]. (Angelia N. Levy).

Noah with me, February 28, 2004 [he was seven months old]. (Angelia N. Levy).

What I didn’t know across the past thirty-two years could be another book for me. I assume that would be the case for anyone would could look back across their life and second-guess themselves over that long a period of time. For me, though, the significance of today comes out of my mathematics background. You see, today’s my sixteenth PhD graduation anniversary. Not all that significant, I suppose. Except that I’m as far away from the end of my graduate school days at Carnegie Mellon today as I was from the first days of being a Hebrew-Israelite and watching my family fall into welfare poverty when I graduated in ’97.

100th Commencement Ceremony program, Carnegie Mellon University, May 18, 1997. (Donald Earl Collins).

100th Commencement Ceremony program, Carnegie Mellon University, May 18, 1997. (Donald Earl Collins).

Two things will hurt your success in this life. One is not acting on the things you know you should or must do. I learned that hard lesson from watching my mother make the decision to not make any decisions until it was too late, all while growing up at 616. Two is the enormous danger of not knowing, and therefore, not being able to act or respond to new or damaging situations as they arise. I’ve learned that lesson pretty well, too. Sometimes the hard way, through really bad experiences or decisions I didn’t play out like a game of eleventh-dimension chess. Sometimes through insight, foresight, even divine inspiration, anticipating what I didn’t know ahead of time.

And even with anticipation, you still might not be able to do anything about what you do and don’t know, simply because you’re not in any position to change things. That was especially true in ’81. I knew that my now deceased idiot ex-stepfather Maurice Washington was no good. But when my Mom decided to end her six months’ separation from him, there was nothing I could really do about it. I knew that with inflation rates of 14.5 percent in ’79 and 11.8 percent in ’80 (thank you, Scholastic Weekly Reader) and my Mom income of roughly $15,000 per year that we had less and less to work with at home. Again, not much I could do about that, either. Even paper boy jobs were drying up by the time I turned twelve!

O'Jays Back Stabbers (1972) album cover, November 10, 2011. (Dan56 via Wikipedia). Qualifies as fair use as low-resolution illustration of subject matter.

O’Jays Back Stabbers (1972) album cover, November 10, 2011. (Dan56 via Wikipedia). Qualifies as fair use as low-resolution illustration of subject matter.

What I didn’t know was how quick and violent the shift into poverty would be. What I didn’t know was that Maurice would use his/our conversion as Hebrew-Israelites as justification for abusing my Mom and me. What I didn’t know was that my Mom would have three more kids by this man between July ’81 and May ’84. What I didn’t know was that I would feel so low about the loss of my best friend and my sense of self that I’d attempt to take my own life on my fourteenth birthday, at the end of ’83.

But when I looked back on this in ’97, I mostly thought about the good things that had occurred in the fifteen years between the domestic violence my Mom endured on Memorial Day ’82 and my doctoral graduation ceremony. My independent conversion to Christianity in ’84. Knocking out a 5 on my AP US History exam without ever cracking open Morison and Commager. Overcoming poverty and my lack of self-esteem to build a life at Pitt and in Pittsburgh between ’88 and ’97.

Still, I’d already been wounded, badly. By the things I knew but did nothing about. By those things I could’ve anticipated but my efforts to counteract were insufficient. By those things I couldn’t have known at all. I knew I’d have problems with my “running interference” advisor Joe Trotter coming down the dissertation stretch. Yet because of departmental politics and my need to be done sooner rather than later, I did nothing about this until I was six chapters into an eight-chapter dissertation. I knew my mentor and committee member Bruce Anthony Jones could sometimes be unreliable. Yet I had no idea that he would completely abandon me and his other doctoral students the moment he signed his name to my and their dissertations.

My dissertation's signature page, May 18, 2013. (Donald Earl Collins),

My dissertation’s signature page, May 18, 2013. (Donald Earl Collins),

Most of all, I never anticipated that my Mom would actually be jealous of me, and would spend a whole week with me at 616 and in Pittsburgh doing and saying things to completely disparage what I’d worked so hard for. For me, for her, for my family. That was hard to get over. There are times I’m not sure if I’m entirely over this yet.

What I’m sure of in ’13, though, is what I do know, don’t know, and can only anticipate with the wisdom of experience and wisdom beyond my experience. I know that I love my wife, that there’s a lot in common between her and Crush #1 (for those of you who’ve read Boy @ The Window so far, the implications should be obvious), real and from my own imagination. I didn’t know that I’d have a kid, a son who at nearly ten is both wonderful and perplexing, and hopefully, off to a much better start in life than I ever got. I suspect that one of my references for jobs and consulting gigs has been undermining my efforts over the past five years, and have thus removed her as a reference.

What I don’t know — but can only hope and work like a dog toward — is whether Boy @ The Window will be a success. I’m not sure if quantifying it would help. I sold a thousand copies of Fear of a “Black” America between August ’04 and January ’07, without the benefit of this blog, Twitter, Facebook or the e-book platforms. How long before I sell my first hundred, thousand, 5,000 or more? I have no idea. But as they say, I “must walk the path, not just know it.”


Afrocentricity and the Writing Bug

May 15, 2013

A ladybug, often a symbol for the writing “bug,” May 15, 2013. (http://flickr.com). In public domain.

This time two decades ago, I was already a bit desperate for work. In transferring from Pitt to Carnegie Mellon, I’d left myself without any financial coverage for the summer of ’93 (see my post “The Arrogance of Youth, Grad School Style” from June ’12). I had applied for several fellowships, summer teaching gigs, even some nonprofit work. But as of the middle of that May, nothing had come through. I’d already spent $200 on a root canal that occurred on the same day as my written PhD comps at CMU (see my post “Facing the Tooth” from May ’12).

Even before my comps and my surprise root canal, I had talked with my friend Marc about writing a joint article about the false litmus test of Blackness that Afrocentricity had come to represent in our minds. Between Molefi Asante’s students at Temple — not to mention the overtly Afrocentric turn of both the Black Action Society and the Black Studies department (which had changed its name to Africana Studies) in the previous eighteen months — both of us felt we needed to provide an alternate perspective.

On that third Saturday in May (and the day after my comps and root canal surgery), we worked for five hours in putting together what amounted to a 1,200-word opinion piece against the belief system and authenticity test that Afrocentricity (and Afrocentric education) had become. By some folks’ definition, we realized that jazz, Miles Davis and John Coltrane would fail the authentically Black test of a Molefi Asante’s wonderful Afrocentric Idea (1987) and of Maulana Karenga as well.

Frances Cress Welsing's The Isis Papers (1991), [about as authentic as auto-tunes], May 15, 2015. (http://amazon.com).

Frances Cress Welsing’s The Isis Papers (1991), [about as authentic as auto-tunes], May 15, 2015. (http://amazon.com).

Now I’m pretty sure why Marc had problems with Afrocentricity. As a Christian and a jazz aficionado, Marc likely saw Afrocentricity as something somewhere between a misguided way of thinking about Blackness and complete and utter bull crap. His goal was to “add to the debate” and “educate” those who weren’t Asante or Karenga apostles and disciples. A laudable — if somewhat naive about the politics of academia and race — goal.

As for me, beyond the academic superficiality of having a litmus test on what is and isn’t Black, I had at least two unconscious reasons for writing my first crossover piece. One had to do with my sense that too many young folks were all too interested in doing the cool thing and not the right thing. Afrocentricity was cool, just like all rap and hip-hop was cool, just like giving libations to ancestors was cool.

Being cool had always meant following a crowd and seldom saying anything that would dig more than a nanometer beyond the surface. Or saying a critical thing about the cool thing that everyone in the same crowd otherwise takes in without a critical thought. I went to a high school full of people like that, and loathed being around people like that when I’d been a part of the Black Action Society at Pitt.

Unconscious reason number two had something to do with my Hebrew-Israelite days. Again, I gave this zero direct thought during my grad school days. But the given the trauma I’d suffered through during my three years of kufi-dom, it had to affect my thinking about Afrocentricity. The Black folk I knew who were part of the Hebrew-Israelite religion were much more obvious about what they did and didn’t consider Black or kosher. Yet, it was so obvious that they constantly contradicted themselves, in terms of food or music, how they treated their wives or children. Most important for me, though, was the fact that they tried to live separate and apart from other Blacks, yet seemed no more different beyond the kufis, veils and kosher meats from other Blacks (or Jews, for that matter).

I saw Afrocentricity as bullshit, and still see the fact that so many folks who get caught up in this sense of authenticity around Blackness as folks falling for bullshit. If I hadn’t lived as a Hebrew-Israelite between the ages of eleven and fifteen, perhaps I wouldn’t see Afrocentricity this way. If I hadn’t been around the “Party All The Time” folks in high school and the “Black Panther Party” posers at Pitt, maybe Afrocentricity would’ve been more appealing to me.

Letters to the Editor, Black Issues in Higher Education, September 9, 1993. (Donald Earl Collins).

Letters to the Editor, Black Issues in Higher Education, September 9, 1993. (Donald Earl Collins).

But at twenty-three years old, I was already tired of the pursuit of coolness and authenticity. That hasn’t changed in the past two decades. I’m sure the letters that called Marc and I “Uncle Toms” after our piece was published in Black Issues in Higher Education were from folks who thought we weren’t cool, and thought they had the answers to life itself.

I wonder how those folks back then would see the academics who believe that hip-hop can explain everything in the social sciences and humanities who are prominent today. Perhaps some of these people today were the Afrocentric followers of twenty years ago. Perhaps not. All I know is, I haven’t stopped writing since that cloudy day in mid-May.


The Road to My Memoir, Part 1: Welfare

May 7, 2013

Adrian LeBlanc's Random Family (2002) and Rhonda Y. Williams' The Politics of Public Housing (2005), May 7, 2013. (Donald Earl Collins).

Adrian LeBlanc’s Random Family (2002) and Rhonda Y. Williams’ The Politics of Public Housing (2005), May 7, 2013. (Donald Earl Collins).

This isn’t a straight-forward post or series of posts. I didn’t come to Boy @ The Window quickly or easily. I didn’t intend it to be a memoir, even though I’d left myself bread crumbs to turn it into a memoir years ago.

The first time I’d thought about writing a book related to my experiences was at the beginning of my junior year of college, in September and October ’89. Not even three months after my idiot stepfather had left 616 for good, and I was thinking about writing up something about the experience? A bit ambitious I was!

What I did do, though, was somehow find my old scraps of journals about what happened to me when I was twelve before I came back to Pittsburgh and Pitt for the school year. I wrote up additional experiences, about running away from 616 in August ’85, about my Mom’s experience at the feet and fists of my now ex-stepfather, about my time on a drafty Pitt stairwell the year before.

That was painful to write about, so soon after finally being rid of Maurice, too soon, really, for me to fully process it without re-living the experience. So I wrote or rewrote four of these experiences in all, and put them away in one of my Pitt notebooks.

But there was one other experience I wanted to write about, to move from a personal story to one of academic scholarship. It was the experience of my being on welfare from ’83 to ’87, covering on-the-ground perspectives from people like me and my Mom, as well as those of case workers. I thought that it would fill a void in both media coverage and in historical scholarship about the topic of welfare, particularly how it became a racial stereotype and slur.

I thought that by juxtaposing (and that’s the word I used for this back in ’89) the plight of welfare recipients and case workers, that I could show some sense of irony. That so many of the case workers and managers were only a paycheck or two away from being on welfare — and that some of them had been on welfare themselves, at least based on my limited experience — would make for an interesting story. What I hoped to show, ultimately, was the inhumanity of the welfare system itself, pitting people from similar socioeconomic backgrounds against each other because of the mix of welfare as racial and as a form of the undeserving getting their government handouts, of crumbs from America’s table being turned into a political football.

I didn’t say this exactly when I had a conversation about this topic with my former TA Paul Riggs in October ’89. The ideas and many of the sentiments, particularly about “juxtaposing,” “irony,” and “inhumanity,” though, were all part of the conversation. Riggs told me I needed to slow down, that even if I somehow were able to make this topic historical, that I’d need to much more reading on the topic, to divorce myself from my emotions around this topic.

In some ways, my late-twenties mentor was right. It’s hard to do scholarly work on a topic in which you are heavily emotionally invested. The topic wasn’t historical, given that I had just lived it and my Mom and younger siblings were still living it. And I was nineteen after all, and after seven years of seldom writing for any purpose outside of the classroom except letters to former high school classmates and college friends, a book would’ve been a daunting, almost immeasurable task.

That started me on the path to learn how to write like an academic historian, instead of writing out of emotion and irony. One that would delay my writing on anything like Boy @ The Window for the better part of a decade, even as the academic process enabled me to do the interviews and research necessary to put the memoir together.

Luckily, there are three authors whose work over the past decade has covered this topic of welfare, racial stereotypes, inhumanity, criminality and irony. Mostly in ways I would’ve covered it had I had the words and research skills to do this work twenty-four years ago. Adrian LeBlanc‘s Random Family (2002), though a sensational accounting of a Latino family in the Bronx between ’88 and ’01, does provide a glimpse (still MacArthur “genius” Award winner). Rhonda Y. WilliamsThe Politics of Public Housing: Black Women’s Struggles Against Urban Inequality (2005) is her excellent collection of research and personal vignettes about public housing, welfare, Black women and empowerment despite the odds covering the period between the 1940s and the early 1980s (with a bit on the early 1990s). All just before crack cocaine, TANF and the gentrification of previously off-limit poor neighborhoods in a city like Baltimore became bigger themes.

And now there’s Kaaryn Gustafson‘s Cheating Welfare: Public Assistance and the Criminalization of Poverty (2012). She covers in so many ways what I’d once hoped to capture in emotion and storytelling about the stain of welfare as illustrated in policies and politics. Kaaryn’s (I know her from my New Voices days) written a great book, one that I wished I could’ve read or written when I was nineteen.

Kaaryn Gustafson's Cheating Welfare (2012), May 7, 2013. (http://nyupress.org).

Kaaryn Gustafson’s Cheating Welfare (2012), May 7, 2013. (http://nyupress.org).

That wasn’t my path, though I had interests that would include welfare. No, my path was about race, diversity, education and self-discovery, not just about my Mom and family.


Boy @ The Window Update

May 3, 2013

iBookstore-logo-300x100

Final Cover

Latest news: Boy @ The Window is now available in enhanced digital (i.e., video, pictures and links) mode, via Apple’s iBookstore (through iTunes). Yay me!!!

Also, I’ve dropped Smashwords.com as a third-party distributor. Unlike many authors, I understand html/css code, and I have time to review and fill out contracts. Plus, getting support from Smashwords was like pulling teeth out of an elephant’s mouth with a teaspoon.

You can purchase Boy @ The Window for $4.99 through this link: https://itunes.apple.com/us/book/boy-the-window/id643768275?ls=1. And, it’s also available for the Kindle world on Amazon.com. Enjoy!

scr2555-proj697-a-kindle-logo-rgb-lg


Boy @ The Window Is Live!

April 16, 2013

Final Cover

Final Cover

Well, “it is done,” as my former graduate advisor Joe Trotter used to say. Boy @ The Window is now a published book. For now, it’s an e-book, available on Amazon.com through Kindle Books (as Boy @ The Window: A Memoir) and through Smashwords.com (which will then ensure that the book makes its way to iBooks, Apple’s bookstore, as well as Barnes & Noble.com). I also have a free PDF edition of Boy @ The Window (text only) available on this blog site (in the sidebar to the right), at least for the next three months.

I anticipate putting out a trade paperback edition in the next few months, either in July or in the fall. But with more than forty percent of the book market now in the e-book realm, it made far more sense to start with the fastest growing part of the market first. It’s a bit weird not holding a copy of Boy @ The Window in my hands, being able to leaf through the paper pages. It’s been on my iPad, though, for a couple of days, and seeing it there in 100 percent working order has been a pretty good feeling.

For me, at least, incidents like the Boston Marathon bombing yesterday — and so many other tragedies and dastardly events in the seven years and four months since I first began writing my book — are a reminder to live every day like there may not be a next one. After years of work and waiting for the commercial market to say “yes” to Boy @ The Window, I knew I didn’t want to wait forever to put this work of mine out into the world. So, “hello, world!”


Blogging Break

March 29, 2013

Me comatose on my MacBook keyboard, March 29, 2013. (Donald Earl Collins).

Me comatose on my MacBook keyboard, March 29, 2013. (Donald Earl Collins).

As of today, I’m taking a blogging hiatus. It will likely last between two and four weeks. I’ve been trying to finalize the Boy @ The Window manuscript, write other articles, post on my blog at least twice a week, work out, run and sometimes play basketball between four and five times a week, teach three classes this semester, and pick up additional work. I can’t do all of that, not all at once. I’ve already cut back my workout schedule to three times a week, and pushed back some work in order to complete the finishing touches to the book ms.

But now, with Boy @ The Window so close to finally, finally, finally being done (at least from a technical perspective), I have more to do on the business and proposal side over the next couple of weeks. I don’t want to shoot the final product into the air, only for it to come crashing down, killing me and everyone else within fifty yards, like an old German V-2 rocket.

So, for the first time in nearly six years of blogging (including three years through WordPress), I’m taking a break. Not exactly a vacation, as my intent is to have my magnum opus out in ebook form, at least, by the end of April. But a break from waxing philosophical, being goofy and sharing anger, rage and tears of joy and pain here. The next time I do a full blog post, Boy @ The Window will be a real book.

In the meantime, there are 610 other posts to take in, and hopefully, to enjoy.


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